Kharkiv “Theatre na Zhukah” and London BeFrank Theatre will unite in tandem in 2015

The project of Kharkiv “Theatre na Zhukah” and London BeFrank Theatre Company will receive the support within the framework of European programme “Tandem”, aimed at the development of cultural and civil society in Ukraine and strengthening its ties with the European countries.

The representatives of two theatres met on the forum of the “Tandem” programme in November in Lviv. Twenty representatives of cultural organizations from Ukraine and European countries were chosen on a competitive basis to participate in the forum. Within a few days, the participants had a possibility to find common ground with potential partners and to develop the idea of joint actions. According to the announced results, 12 out of 20 projects, proposed by tandems, will receive the financial support. The English-Ukrainian theatre project is among them.

The main part of the project will be master classes and workshops for students of Ukrainian theatre institutes. The British guests will show how the information that surrounds us can be converted into a theatrical action.

“BeFrank Theatre” makes the stagings on the documentary basis, deeply exploring contemporary social processes in different countries. In April 2015 the staging “The Point of No Return”, based on the events of the Maidan, will be released in London. To make this staging the group leader Tommy Lexen came to Ukraine on purpose, interviewing people in different cities, studying the sentiment of people. He takes from the air the up-to-date information and makes an interesting performance on its basis – this is a foundation of his work.

In Ukraine, which is now changing rapidly, such productions that acute match the reality are in demand, but very few people know how to make them qualitatively. We hope that our project for students will push the development of documentary theatre in Ukraine “, – said the producer “Theatre na Zhukah” Dmitro Ternovyj.

The trainings and the workshops by Tommy Lex and his colleagues are planned to be organized in Kyiv, Kharkiv and Lviv in the fall next year. Also the public discussions, joint trainings and master classes of “Zhuki” and BeFrank Theatre are to be hold.

In addition, D.Ternovyj said he intends to look for opportunities to organize in Ukraine the showing of the English production about Maidan. “These performances followed by discussions with the audience would give us the opportunity to see ourselves and our own events from the other point of view, it is better to hear and understand each other, and thus reduce the barriers that divide us,” – he said.

“Theatre na Zhukah” launched an educational project for students of theatre schools “Theatrical window to Europe” in 2011. Within the context of this project the directors of Western theatres periodically give master classes for Ukrainian students. Previously, students were introduced to the methods of work of modern Polish theatre and traditional French commedia dell’arte.

BeFrank Theatre (http://justbefrank.eu) was found in 2010. It makes showings based on real life stories, current events, key social and political events, uniting journalists, scientists, musicians, political experts in the process of work in order to examine different points of view on the major issues of global peace.

“Theatre na Zhukah” was opened in December 2007. It has both classical and contemporary plays in its repertoire. Based on the national tradition, it is opened to the perception of creative experiment of other schools. It’s been an active participant in many festivals, including the foreign ones. It also has an extensive experience in the implementation of various international projects.

TANDEM programme “Dialogue for Change” is being implemented within the framework of community initiatives of MitOst and UNAEDI. It is based on the belief that in the transition period of crisis Ukraine is going through cultural cross-border collaborations supports not only the dialogue, but also allows for the development of new forms of civic engagement, supporting a process of social transformation.

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«Zhuki» celebrate their 7th anniversary with the premiere of “The Marriage of Figaro”

“Theatre na Zhukah” on the occasion of its birthday releases a new show – “The Mad Day” based on the classic French comedy written by Beaumarchais – “The Marriage of Figaro”.

“Once we had removed from the repertoire the romantic comedy “Twelfth Night”, based on the namesake play by Shakespeare, we missed having the easy and fun play. We started to work on Beaumarchais’ play over a year ago, even before all the political turmoil. Working on the show helped us, at least during rehearsals, to turn ourselves off from this wave. We hope that our performance for the audience will be an excellent opportunity to relax, to spend a nice theatrical evening and to fill oneself with positive emotions”,- said the director and artistic director of the theatre Olga Ternova.

She also noted that she still tends to not repeat genres of plays, enabling actors to learn something new, so “The Mad Day” is made in the spirit of eccentric comedy.

The performance comes out on the occasion of the birthday of “Theatre na Zhukah” (which is on December 16). The first private showing of the comedy took place on Sunday, December 14. It received the warmest response from the audience. On December 21, the theatre will mark its seventh anniversary with “The Mad Day”, inviting its closest friends to see the show and a traditional skit. And since January, after the Christmas holidays, “Zhuki” will start to show “The Mad Day” for a wide range of audience as a repertory performance.

“The Mad Day, or The Marriage of Figaro”, written by Beaumarchais, is one of the most famous classic comedies in the world. It was written in 1779 and was soon banned from staging by King Louis XVI, who responded to play with these words: “It’s disgusting, the play will never be shown, this man laughs at all that should be held as sacred in the state.” However, in 1784, the premiere took place with triumph. The story “The Marriage of Figaro” acquired worldwide fame in 1786, when the namesake opera written by Mozart appeared. Beaumarchais wrote that he wanted to create a high sample of the comedy, as opposed to boring plays that repel the viewer from the theatre, making him to “rush to the boulevards, to the stinking gathering of booths, where decent freedom, banished from the theater, turns into a unbridled licentiousness, where young adults acquire some senseless rudeness, and where it loses taste to all decent things, along with the moral feeling.”